A Beginner's Guide to Band Equipment and Effects Pedals | A Complete Guide to Choosing Your First Amplifier, Effects Pedals, and Cables

1. What should I get next after buying a musical instrument?

When you've acquired a guitar or bass and are ready to form a band, many beginners hit a wall: "I don't know what else I need besides the instrument itself." Music stores are filled with amplifiers, effects pedals, cables, tuners, and various other pieces of equipment, making it difficult to decide which are truly necessary and which can be put off until later.

This article was written by the Membo editorial team for beginner band members who have decided on their instruments but are unsure how to acquire the necessary peripheral equipment. We will explain, step by step, how to choose basic equipment such as amplifiers, effects pedals, cables, and tuners, distinguishing between "things that are nice to have" and "things that are essential (making it impossible to perform)" for actually making sound in a studio or live venue.

If you haven't yet decided which instrument you'll play, we recommend reading our guide on choosing an instrument based on your personality and lifestyle before returning to this article. This article is intended for those who have already chosen an instrument and are now in the stage of acquiring the necessary equipment.

2. An overview of the minimum equipment needed for each part.

First, let's get an overview. The amount of "things you need to gather yourself" varies greatly depending on the part.

• Guitar – In addition to the guitar itself, the basic set includes an amplifier, cable, tuner, picks, and spare strings. Most people gradually add effects pedals later on.
• Bass – The basic concept is the same as for guitar, but you'll need a bass-specific amplifier (the reason will be explained in Chapter 3). Many bassists start without effects pedals, so they're less essential than for guitar.
• Drums – They are usually permanently installed in studios and live music venues, so you often only need to carry drumsticks and a drum key with you. For home practice, a practice pad and metronome are useful.
• Keyboards – Many studios already have keyboards installed, so you usually only need to bring a sustain pedal and a music stand. If you bring your own, you'll need the keyboard itself and a keyboard amplifier (or a cable for direct connection to the PA system).
• Vocalists – It's common to use the microphones provided by the studio or live music venue. If you're providing your own, some people use microphone covers for hygiene reasons, or have their own microphone for practice.

This article will focus on guitars and basses , which typically require the most equipment to be purchased by the user, and will examine each piece of peripheral equipment one by one. Reading the basic guide to renting a studio in conjunction with this will give you a better idea of what is available at the studio and what you should bring.

3. Amplifier Basics | How to Choose a Guitar Amplifier and a Bass Amplifier

A guitar amplifier is a device that amplifies the weak electrical signal picked up by an instrument's pickup and outputs sound through a speaker. A key difference from a typical audio amplifier is that it not only increases volume but also actively creates distortion and tone.

The important point here is that guitar amplifiers and bass amplifiers are different . Because bass requires the reproduction of low frequencies, bass amplifiers are designed to output a wider frequency range, especially low frequencies, without distortion. Conversely, if you try to play a guitar through a bass amplifier, you often won't get the distortion you want, and the sound will be unsatisfying. When using them in a band, the basic rule is to choose an amplifier that suits the part you are playing.

Differences between vacuum tube and transistor modeling

There are three main types of amplification methods used in amplifiers.

• Vacuum tube amplifiers —they amplify signals using vacuum tubes , and their warm sound and natural distortion have enduring popularity. On the other hand, they are relatively expensive, and it's important to remember that the vacuum tubes themselves are consumables and require periodic replacement.
• Transistor (solid-state) amplifiers – These amplifiers use semiconductors for amplification, are affordable, durable, and have become the mainstream choice for practice amplifiers.
• Modeling amplifiers are a type of amplifier that uses digital processing to reproduce the tones of various classic amplifiers. Because you can try out multiple characteristics with a single unit, they are a particularly easy-to-use option for beginners who haven't yet settled on their preferred sound.

Let's look at the differences in sound character in more detail. Tube amplifiers are characterized by their rich harmonics and natural distortion, resulting in a warm and full sound. While you can get a pleasing distortion as you increase the volume, tubes are consumables and require maintenance such as replacement when they deteriorate, and the units themselves tend to be heavy and expensive. Transistor amplifiers have the advantage of producing a clean sound that is stable and well-defined, being lightweight, sturdy, affordable, and less prone to breaking. However, in terms of naturalness when distorted, they tend to lack the richness of expression found in tube amplifiers. Modeling amplifiers digitally reproduce the sound of famous amplifiers, and their greatest appeal is that they can produce a wide variety of tones with just one unit. Many models are equipped with features suitable for home practice, such as headphone output, USB terminals for recording, and features that prevent sound quality degradation even at low volumes, and are often chosen for their high fidelity and convenience rather than their authenticity. There is no single right answer; the key is to choose according to your practice environment (whether you can play at high volume) and your own preferences.

Practice amp and performance amp

Wattage (output) is merely a guideline for sound volume, not an indicator of quality. For home practice, a lower-output amplifier is generally sufficient to achieve adequate volume. Conversely, in live performances at venues, the sound is often picked up by microphones in the venue's PA system, so the ability to produce a good tone becomes more important than the amplifier's output. Our introductory article on sound and PA systems explains the sound system in live venues in more detail, so reading it in conjunction with this article will help you visualize how to use your amplifier in a live performance.

If you're wondering whether you should buy an amplifier for home practice

If you live in an apartment building or similar environment where you need to be mindful of volume, you can choose to use a headphone amplifier or amplifier simulator (amp sim) instead of buying an amplifier. The ability to practice while monitoring the sound through headphones is a major advantage, as it allows you to practice every day without worrying about disturbing your neighbors. Many players also use this method, only using an amplifier in a studio when they want to check the actual volume level.

Here are some specific options (prices are approximate and may vary depending on the store and time of year):

• Headphone amplifiers are the type that plug directly into the guitar and allow you to check the sound through headphones. Some models, like the Fender Mustang Micro (which sells for approximately 10,000 to 17,000 yen), have multiple built-in amp models and effects, and allow you to practice while playing music via Bluetooth.
• Wireless headphone type – Like the BOSS Waza-Air (actual retail price around 45,000 to 50,000 yen), this type of wireless amplifier comes in the form of headphones, allowing you to practice while moving around without worrying about cables. The price is closer to that of a full-fledged amplifier, but some models have features that reproduce a sense of spaciousness in the sound.
• How to use the headphone output of a multi-effects pedal — Many of the multi-effects pedals introduced in Chapter 4 have a headphone jack, so if you already own one, you can use it as a practice amp at home.
• Smartphone app + audio interface — This method involves connecting an instrument to a smartphone or computer using a small audio interface, and then checking the sound through headphones via an amplifier simulator app. The advantage is that it keeps initial costs down and makes it easy to use for later recording on a computer.

Features to consider when choosing an amplifier

When purchasing an amplifier, checking not only the output power but also the following features can make a big difference in how easy it is to use in the long run.

• The presence or absence of a headphone jack —if it's built-in, that single amplifier can handle both loud sound output and quiet home practice.
• The presence or absence of built-in effects —many models come with basic reverb and delay built-in, making them useful for trying out effects before buying separate pedals.
• Channel switching function —the ability to switch between clean and distorted sounds with the touch of a button expands the possibilities for sound creation within a single song.
• Effect Loop Terminal — This terminal allows you to properly connect spatial effects pedals after distortion, and is useful when you want to build a proper effects pedalboard.

When trying out an amplifier in a store, it's recommended to bring your own instrument if possible. This is because the impression can change depending on how well it pairs with your instrument, even with the same amplifier.

4. Introduction to Effects Pedals | Distortion, Spatial, and Modulation Effects

Effects pedals are a general term for equipment used to add various effects to the sound of instruments or microphones. There are a great many types, and it can be confusing for beginners to know which one to choose first, but it becomes easier to understand if you organize them into the following three main categories.

Three basic classifications

• Distortion effects —overdrive, distortion, fuzz, etc. These effects intentionally distort the sound to add thickness and power, and often form the foundation of a band's sound.
• Spatial effects —such as delay (echo-like reverberation) and reverb (reverberation). These add depth and breadth to the sound.
• Modulation effects —such as chorus, flanger, and tremolo. They add depth and a unique texture by altering the sound.

If a beginner is choosing their first pedal, they'll often start with a distortion pedal (overdrive) . This is because it's easy to experience the differences in the amount and character of distortion, and it directly impacts the overall sound of the band. However, there's no single right answer, and the first pedal you choose will depend on the musical genre you're aiming for. Combining this with the knowledge of keys and chords covered in our basic music theory articles will help you visualize more concretely what kind of tone you want to add.

How to choose between a multi-effects pedal and a compact effects pedal

Effects pedals come in two main types: multi-effects pedals that combine multiple effects into one unit, and compact (single) effects pedals that specialize in a single effect.

• Who is a multi-effects unit suitable for? — People who want to try out a variety of sounds on a budget, and people who want to reduce the amount of equipment they carry around.
• Compact effects pedals are suitable for : people who want to fine-tune their favorite sound, and people who want to intuitively control their sound with their feet during live performances.

In conclusion, many people start with a multi-effects pedal to experiment with a wide range of sounds, and then gradually add compact effects pedals as their preferences solidify . However, starting with just one compact effects pedal and adding other effects as needed is equally valid. There's no right or wrong answer; it's a matter of choosing based on your personality and budget.

Some domestic manufacturers, like BOSS , offer a wide range of both standalone compact effects pedals and multi-effects pedals, making this a popular area for people to compare sounds in person at stores before making a choice.

Specific models considered standard for beginners

Since it's easy to get confused about "which one should I buy?", I'll give some examples of BOSS's long-running, classic models. All of them are current models or widely available (prices are approximate and may vary depending on the store and time of year).

• The BOSS DS-1 (distortion) is a classic distortion pedal that has been a long-selling product since its release in 1978, and it typically sells for around 9,000 to 10,000 yen. Because it has been in production for so long, there are many used units available, and a wealth of information on how to use it and create sounds has been accumulated online, which is reassuring for beginners.
• BOSS SD-1 (Super Overdrive) — A classic overdrive pedal, typically selling for around 8,000 to 9,000 yen. It's versatile enough to handle everything from natural distortion to gradual overdrive, making it a popular choice for a wide range of genres.
• The BOSS ME series (current model is the ME-90) is a multi-effects pedal that allows for intuitive sound shaping using knob controls, and it typically sells for around 40,000 yen. Because it combines distortion, spatial effects, and modulation effects into one unit, it's a popular choice for those who haven't yet settled on their sound preferences.

What they all have in common is that they are sturdy and durable, there are many used options available because they have been in production for a long time, and because many people use them, it is easy to find information such as reviews and setup examples. There is a reason why these models are called "classics."

Consider your first car by genre

If you're unsure what to buy, try working backward from the music genre you're aiming for; this can make choosing easier.

• Rock and Blues – Start with overdrive. It can handle a wide range of distortion, from natural to gradual. Many people start by trying classic models like the BOSS SD-1.
• For hard rock and metal genres , it's standard practice to use distortion pedals to achieve a strong, core-heavy distortion. Pedals that can produce a deep, core-heavy distortion, such as the BOSS DS-1, are preferred.
• Pop music – Because the range of sounds required varies widely depending on the song, it's a good idea to start with a multi-effects unit like the ME-90 to try out a variety of tones.
• Prioritizing funk cutting —some people consider a compressor before distortion effects, prioritizing the refinement of the sound's clarity.
• Ballad, ambient, and shoegaze genres tend to emphasize spatial effects such as delay and reverb from an early stage.

In the case of bass, many players start by playing with just the amp's sound without any effects pedals, and only consider distortion or compression after their band activities have taken off. It can be said that effects are less essential in this area compared to guitar.

The basics of the order of connecting

When using multiple effects pedals, it is generally believed that connecting them in the following order helps to create a more cohesive sound.

1. Tuner (the very first or last power-on)
2. Compressors and other volume/dynamics systems
3. Distortion effects (overdrive/distortion)
4. Modulation effects (chorus, flanger, etc.)
5. Spatial effects (delay, reverb, the last one is the basic)

Each component has a reason for its position. The tuner is placed first because a clean signal, before any distortion, makes it easier to accurately detect pitch. If a distorted signal is passed through the tuner, many harmonics may be mixed in, making detection unstable. The compressor is placed before the distortion components to even out the dynamics of the sound, which vary depending on how hard you play, so that the subsequent distortion can be applied more stably. Spatial effects (delay and reverb) are placed after the distortion components to add a nice reverberation to the entire distorted sound. If the order is reversed and the spatial effects are distorted first, the reverberation itself will be distorted, resulting in a muddy sound.

This is merely a general guideline, and some players intentionally rearrange the order to create unique sounds. It's best to start with the basic order and gradually find your own preferred arrangement while listening to the differences.

5. How to choose a shielded cable

The cables that connect musical instruments to amplifiers and effects pedals are commonly called "shielded cables." This is an abbreviation for shielded cables , which are cables covered with a conductive layer (shield) to protect signal lines from noise, and it's a term that has become established in the musical instrument industry. Most shielded cables for musical instruments use standard connectors called phone plugs on both ends.

Why quality affects sound

The internal structure and materials of a cable shield can affect how well it preserves the signal and how well it picks up noise. Extremely cheap cables can break easily over time due to deterioration or pick up noise, so it's a good idea to avoid extremely cheap ones. However, a higher price doesn't always mean better quality, so it's safest to start by choosing a standard model sold at a reliable music store.

Here are a few classic brands to consider when choosing your first pair of guitars. CANARE is a classic Japanese brand known for its reliability at an affordable price, and is often chosen as a first pair. MOGAMI is a high-end Japanese brand known for its high sound quality and is used in professional settings. BELDEN is a long-established American brand, often said to produce a full, impactful sound. A realistic approach is to start with a reliable classic like CANARE, and then try other brands as you become more particular about sound.

A guide to the differences in sound quality by price range.

The type of difference you can feel in a cable varies depending on its price range. Low-priced cables (around 1,500 yen in actual retail price) are suitable for beginners, but they tend to break easily and develop noise due to aging. Mid-priced cables (around 1,500 to 5,000 yen in actual retail price) often offer sufficient quality for a first cable, and popular models like CANARE fall into this price range. High-priced cables (around 5,000 yen and up in actual retail price) are for those who demand higher sound resolution and noise resistance, and include higher-end models from brands like MOGAMI and BELDEN.

To be honest, what beginners often notice first is durability—how easily the wires break—rather than subtle differences in sound quality. If you start with a standard model in the mid-price range, you're unlikely to have any major complaints about either sound quality or durability.

Length guideline

Since longer cables tend to degrade the signal more easily, there's no need to choose one that's longer than necessary. For home practice or studio use, a shorter cable is better, while a longer one is needed if you're on stage at a live venue and far from your amp. Choose the cable that best suits your usage scenario. If you're using multiple effects pedals, you'll also need short patch cables to connect them.

How to choose a cable that is less prone to breakage and the shape of the plug.

Plugs come in two shapes: straight and L-shaped (angled). Using an L-shaped plug for the output jack on the guitar allows the cable to hang along the body, reducing the risk of tripping over it while playing. Additionally, cables with a slack base at the plug are said to be less prone to breakage.

6. Tuners and Accessories | A List of Useful Items

Now, let's look at some small items that are often forgotten but are actually necessary every time.

tuner

Tuning is a fundamental task that must be performed before playing an instrument. Nowadays, it is common to use an electronic tuner, and there are mainly two types.

• Clip-on tuners – These attach to the headstock of an instrument. They are easy to carry and reasonably priced.
• Pedal tuner – a type that integrates into an effects pedalboard. Its advantage is that you can quickly tune your guitar while looking at your feet on stage during a live performance.

Pick, strap, capo

A pick is essential for playing guitar or bass. The feel and tone change depending on the thickness and material, so it's recommended to try several types to find the one that suits you best. A strap is essential when playing while standing, and some people choose a wide type to reduce the strain on their shoulders. A capo is a small device that allows you to change the key instead of pressing down on barre chords with your fingers, and it is especially useful for singer-songwriters and those who mainly play acoustic music.

Metronome, replacement strings, replacement batteries, case

A metronome is a practice tool that keeps a consistent tempo, helping you become aware of and correct any rhythmic deviations. While a smartphone app can be used as a substitute, having a dedicated metronome is convenient as it can also be used for rehearsals in the studio. Other essential items that you should have on hand include spare strings in case a string breaks during a performance, spare batteries for 9V battery-powered effects pedals, and a case or gig bag for carrying your equipment. These may seem insignificant, but they are essential accessories that you'll be in trouble without.

Things that are easy to forget but are surprisingly helpful

Cable ties or Velcro straps for organizing cables, a small pouch for storing spare picks, and a hygrometer and dehumidifier to protect wooden instruments from humidity are all small items that are good to have on hand. Many players are especially conscious of humidity control to maintain the condition of their instruments during the rainy season and the height of summer.

7. What can be provided in the studio and what should you prepare yourself?

To avoid the unnecessary purchases that beginners often make, let's organize what's "available at the studio" and what you "need to bring," assuming you'll be practicing in a studio. Many music studios are equipped with guitar amps, bass amps, drum sets, keyboards (electronic pianos), microphones, and microphone stands. As mentioned in the complete guide to renting a studio , checking the equipment available when making a reservation will make it easier to create a list of what to bring on the day.

On the other hand, you will generally need to prepare the following yourself.

• Guitar/bass, cable, picks, tuner, effects pedals (if you use them)
• For the drum part, bring your own drumsticks (studio rental sticks can be worn out, so it's safer to bring your own).
• Keyboard parts require a sustain pedal (if you bring one).
• The vocal part includes small personal items such as lyric sheets and microphone covers.

Even if you think, "I'll be fine because there's an amp," forgetting your cable means you won't be able to make any sound and your practice time will be wasted. Especially when using a studio for the first time, it's a good idea to make a packing list in advance. The first recording guide also covers "things that are available on-site and things you should bring" from a similar perspective, so those who have a recording session coming up should check it out as well.

The difference between a rehearsal studio and a live music venue

The equipment available at a rehearsal studio, where you usually practice, and at a live music venue, where you actually perform, can differ. Rehearsal studios are used by multiple bands on a rotating basis, so amplifiers and drum sets are generally fixed in place. On the other hand, live music venues often feature multiple bands performing in rotation, and while some venues provide backline equipment (shared equipment such as amplifiers and drum sets), others require performers to bring their own. When you've been booked to perform, it's a good idea to check with the organizer beforehand about the availability of backline equipment to avoid any last-minute panic on the day of the show.

8. Budget-Based Plans | Minimum Configuration, Standard Configuration, and Customized Configuration

The price of equipment varies greatly depending on the manufacturer, model, and whether it's new or used, so please consider the prices listed here as rough estimates only. It's best to check prices in stores and online shops and acquire equipment within your budget.

For reference, here are some rough price ranges for different types of equipment. Please note that these are just estimates, and prices can vary significantly depending on the store, model, and whether the item is new or used. A single cable cable costs approximately 1,500 to 5,000 yen, a clip tuner costs approximately 1,000 to 3,000 yen, a single compact effects pedal costs approximately 5,000 to 15,000 yen, a multi-effects pedal costs approximately 10,000 to 50,000 yen depending on the range of functions, and a small amplifier for home practice costs approximately 5,000 to 20,000 yen.

Minimum configuration

This setup consists of just one cable (approximately 1,500-5,000 yen), a clip tuner (approximately 1,000-3,000 yen), and a few picks. Assuming there's an amplifier permanently installed in the studio, this is all you need to produce sound for your first practice session. While this is just an estimate, the total cost is usually only a few thousand yen, and the expenses are at the level of consumables.

Standard configuration

This setup includes the minimum required equipment plus a small amplifier for home practice (or a headphone amplifier, roughly 5,000 to 20,000 yen), one distortion effect pedal (roughly 5,000 to 15,000 yen), spare strings, a strap, and a case. If you're serious about continuing band activities, this is roughly the goal most people aim for. The total cost is roughly 20,000 to 50,000 yen, but this can vary depending on the store, model, and whether you choose new or used equipment.

Carefully selected configuration

This setup includes an effects pedalboard with multiple compact effects pedals, a high-end amplifier for performances, and a complete set of backup equipment. Just as a single multi-effects pedal can range from 10,000 to 50,000 yen, the cost of an effects pedalboard can easily skyrocket depending on the combination of equipment. There is basically no upper limit; it's a realm that expands without limit depending on your dedication to sound creation. There's no need to rush to reach this level from the start; gradually adding what you "really want" as you continue playing will ultimately lead to a more satisfying setup.

Quick reference table for total costs of the 3 configurations

*This is just an estimate. Prices vary greatly depending on the store, model, and whether it's new or used. Please check prices at physical stores and online shops and purchase within your means.

9. Smart ways to buy used and older models

For beginners looking to keep costs down, used or older models are strong options. Music stores often have used instrument sections that include store checks and warranties, making them a reassuring choice for first-time used instrument buyers. While flea market apps and auctions may offer even lower prices, it's important to understand the risk of not being able to try out the instrument beforehand.

Checkpoint

• Functionality Check — Always check that amplifiers and effects pedals are powered on and produce sound. Check for noise and ensure that switches and knobs are not loose.
• External scratches and dents —While cosmetic scratches often don't affect functionality, large dents or water damage can be signs of internal malfunction.
• Deterioration of power supply components and cables —AC adapters and shielding insulation are particularly prone to deterioration, so check for broken wires or damage to the insulation.
• Seller/Store Reliability — When using flea market apps, be sure to take basic self-protective measures such as checking the seller's rating and past transaction history, and confirming the return and refund conditions in advance.

While older models are often perceived as having inferior performance, in the world of effects pedals and amplifiers, it's not uncommon for older models to become long-selling products that continue to be loved for years. It's important not to be too fixated on the latest models, but rather to listen to them and choose what you like best.

Check trade-in and warranty period

Some music stores offer trade-in programs where you can purchase new equipment while trading in your old gear. When buying used items, it's a good idea to check beforehand whether the store offers a warranty period, as this will make it easier to deal with any initial defects. When buying through flea market apps, there is generally no warranty, so it's reassuring to get into the habit of checking all the functions as soon as you receive the item.

10. Basic Equipment Maintenance

Proper maintenance of equipment will allow it to remain in stable condition for a long time.

How to wrap a shield

It is said that continuously winding a shield in the same direction can cause twists to accumulate inside the cable, which can easily lead to breakage. Using an "overhand winding" method (similar to a figure-eight winding) where you make a loop with one hand and alternate the winding direction with each turn will prevent twists from accumulating and make the cable last longer.

Battery and power management

For effects pedals powered by 9V batteries, removing the battery during periods of disuse will prevent malfunction due to battery leakage. If you use the pedal frequently, switching to AC adapter power instead of batteries will allow you to use it at a stable volume without worrying about the battery running out.

Storage environment

The basic rule for storing musical instruments and equipment is to avoid high temperatures, high humidity, and direct sunlight. Storing equipment that won't be used for extended periods in a case to protect it from dust and moisture will significantly improve its condition when you need to use it.

Fret and string maintenance and prevention of crackling noises

Wiping the strings and frets with a dry cloth after playing can slow down the deterioration of the strings caused by sweat and oil from your hands. Also, if you leave the knobs on effect pedals and amplifiers unused for a long time, the internal contacts may develop crackling noise. It is said that even just moving the knobs all the way from side to side from time to time can help maintain the condition of the contacts. If you are concerned, you can also consult a music store and use a special contact cleaner.

11. Frequently Asked Questions about Choosing Equipment

Ultimately, what's the first thing you should buy?

Aside from the instrument itself, the top two priorities are a "cable" and a "tuner." Without these two, even if there's an amplifier permanently set up in the studio, you won't be able to produce any sound or tune your instrument. You can consider effects pedals and your own amplifier gradually after you've secured these two items.

What effects pedal should I buy first?

As mentioned in Chapter 4, there is no single right answer, but recommendations vary depending on the genre you aim for. For rock and blues, an overdrive is recommended; if you want heavy distortion, a distortion pedal is best; and if you prioritize funky cutting, a compressor is a good choice. In short, you'll be less likely to make a mistake if you start by working backward from "the essential sounds for the music you want to play." In the case of bass, many bassists start without any effects pedals, using only the amp's sound, and then consider distortion pedals and compressors once their career is established.

Can I really buy used items safely?

If you follow the checkpoints introduced in Chapter 9 (operation check, appearance, power supply, and seller reliability), there's no need to be overly apprehensive. In particular, the used section of music stores often includes warranties and after-sales support, providing peace of mind for first-time used purchases. When using flea market apps, it's crucial to carefully check the information since you can't try the instrument beforehand.

Is it okay to buy equipment even if the band members haven't been decided yet?

Of course, there's no problem. In fact, as you gradually acquire equipment and clarify "what kind of sound you want to create," your self-introduction when searching for members on Membo will become more convincing. Including the equipment you use and the direction of the sound you aim for in your recruitment post will make it easier to meet members who share the same vision.

Is it okay to share equipment within the band?

In active bands, it's not uncommon for members to lend and borrow some equipment, such as effect pedalboards and microphone stands. However, for small items that are easily worn out or lost, such as cables and picks, it's best for each member to have their own to avoid problems.

12. Summary | There is no single right answer when choosing equipment, but there is a specific order to follow.

In this article, we've covered everything you need to acquire after getting your own instrument, from an overview of each part to amplifiers, effects pedals, cables, tuners and accessories, the division of roles with the studio, budget-based plans, how to choose used equipment, and the basics of maintenance.

You don't need to have a complete set of perfect equipment from the start. Begin by securing essentials like cables and a tuner, gradually discover your preferred sound while going to the studio, and buy effects pedals and amplifiers as needed—this will ultimately lead to efficient and satisfying equipment selection. When you consider the complete guide to releasing your music , you'll realize that equipment selection is just the beginning of a long musical career.

Once your equipment is ready, the next step is finding bandmates to play with. If you haven't found members yet, try searching for bandmates on Membo . Membo's recruitment list includes a variety of bands, from those just starting out and acquiring equipment to experienced bands with full equipment setups. Reading about how to choose an instrument , the very basics of music theory , how to write original songs , and an introduction to sound and PA systems will help you plan your activities better once you start playing. If you're unsure how to use it, be sure to check out Membo's help page , user guide , app usage page , announcements page , and author information page. Take your time, acquire your equipment one step at a time, and start your band activities in a way that suits you.